`1` Romance worth killing for
Shattering Romantic Suspense
Author Websites
Elisabeth Naughton
Joan Swan
Linda Winfree
 
Author's Latest Releases









Coming Soon

AddThis Feed Button

 
Industry Blogs We Like
Agent Obscura
Anatomy of a Book Deal
Bookends Literary Agency Blog
The Bradford Bunch
Buzz, Balls & Hype
Jennifer Jackson, Literary Agent
The Knight Agency
Magical Musings
Mid-Willamette Valley RWA Blog
Kristin Nelson, Literary Agent
Jenny Rappaport, Literary Agent
Miss Snark
Murder She Writes
Paperback Writer
Romancing The Blog
Running With Quills
Working Stiffs
Samhain Publishing
Wine Country Romance Writers, RWA
WriteMinded
 
Author Blogs We Like
Elisa Adams
Carol Burnside
Brenda Coulter
Tanya Holmes
Larissa Ione
Lydia Joyce
Elisabeth Naughton
Patti O'Shea
Edie Ramer
Kate Rothwell
Marissa Scott
Lynne Simpson
Amie Stuart
Joan Swan
Karin Tabke
Stephanie Tyler
Linda Winfree
 
Recommended Resources
Agent Query
Charlotte Dillon
Common Redundancies in Writing
Cop Talk--Karin Tabke
Crime in Mind
Cruisie/Mayer 2007 Online Workshop
Kiss of Death RWA Chapter
Publisher's Marketplace
Romance Agents
Romance Writers of America
 
Previous Blogs
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
 
What We're Working On Now

Elisabeth: Marked

Zokutou word meterZokutou word meter
33,126 / 95,000
(34.9%)



Joan: Buried Secrets

Zokutou word meterZokutou word meter
68,000 / 115,000
(59.1%)


Linda: Facing It

Zokutou word meterZokutou word meter
45,540 / 85,000
(53.6%)

:~: Wednesday, September 13, 2006 :~:

Celebrating 100 Posts!! And...Today's Post: First Lines.

Whoo hoo! This is Romance Worth Killing For's 100th post!

(And to think I almost forgot! Life is currently insane!)

In celebration, I'd like to offer a contest. I've got some great books to give away, and I'll let the winner choose between several lots including authors like Nora Roberts, Sandra Brown, Elizabeth Lowell, Debbie Macomber...the list goes on.

So...anyone who posts a response to any blog between now and my next post (Wed. 9/20) will be entered into the contest.

Now...onto my post. Topic: First lines.

If you keep up with the loops, you'll have seen a heavy discussion on this topic recently. I'd like to add my two cents here - which is actually worth a little more than two sense IMUO (In My Unpublished Opinion), because it came from a class with Catherine Ryan Hyde, a multi-pubbed, best-selling author whose books have gone on to become movies.

She said: Your first line doesn't have to be a blockbuster, but it has to have traction.

What she went on to explain was that while having a killer first line is always a good thing, what you really want is an intriguing first line that pulls the reader in and makes them want to read the second line. The second line temps you further to the next. And so on, and so on...until you're so deep into the book you're invested.

Yes, you can do that with the best of the best first line, but there are downfalls to trying to get ultimate shock value in your first ten or twenty words.

I've read books with awesome first lines. But the second line paled. And the third was downright ordinary. And it was all downhill from there. I've read books where the "perfect" first line lead to a second line that began a story seemingly unconnected, and found myself befuddled and frustrated (a great way to get your readers to wall-slam your novel).

But with traction, everything connects. With traction, you engage the reader enough to pull them in, then deeper, and deeper. With traction, you're not agonizing over that "irreplaceable" first line. I could spend YEARS looking for the stellar first line and never get any writing done. Which leads me to my next point about beginnings...

Somewhere along the way (can't remember where) I learned that a good beginning can only be written after the ending is complete. Only then do you have all the plot lines smoothed, all the characters developed. Only then can you write a beginning that intrigues and foreshadows, a beginning with originality and punch.

So, if your agonizing over that first line, that first paragraph or even that first chapter, MHUS(My Humble Unpublished Suggestion) would be to get the bones down and move on, check back at the end of chapter three, chapter ten. And when you think you're finished...go back and rewrite your beginning.

6Comments:

Blogger aBookworm said...

Yowza!! Congrats on the 100th post. Sorry I missed it yesterday. It was such a crazy Wednesday at work, I didn't get a chance to come read. But better late than never, right? ;-)

1:45 PM  
Blogger Elisabeth Naughton said...

I love that...

"...the first line has to have traction."

What a great way to think of it.

100 posts? Wow. Where have I been?

2:26 PM  
Blogger Karin Tabke said...

Congrats on the 100th post!
And I don't need to say how important the first line of a story is. :)

10:59 PM  
Blogger Joan Swan said...

Thanks girls.

Karin, sorry I missed your contest, but I know quite a few writing friends who entered...great idea!!

3:06 PM  
Blogger Theresa said...

Joan,

This is what I found so interesting about Karin's contest. Since each opening line was posted a week apart, you didn't have the chance to read the first few opening lines quickly-- you couldn't read them as a unit. You had to judge each line on just that one sentence, and then the second sentence was added, and then the third...

It was fascinating to see the lines go up week, by week. Because some of the lines would intrigue me into wanting more, while others didn't.

But, as the lines progressed, some of my early favorites fell by the wayside once their succeeding lines lost steam. While some of the earlier entries that hadn't interested me in the beginning began to interest me more and more with each line that went up.

The whole contest was an excellent lesson in that regards. It gave a real visual example of how strong each line in an opening needs to be to retain the reader's interest.

1:04 PM  
Blogger Laurie said...

Congratulations on your 100th post here! Great discussion on "first lines"...I'll have to remember that, "the first line has to have traction". And I agree with you that until you've reached the end and rewritten and reshaped the book completely, you'll never find the AHA! first line anyway. :)

9:59 PM  

Post a Comment

<< Home